Andrew Catterall (He / They)

Macduff, King Duncan,

Witch 2, a Murderer, & the Doctor

Andrew Catterall is an actor, writer, director, sculptor, haberdasher, Nobel Prize laureate, and compulsive liar originally from Southeast Michigan who is thrilled to be performing in his first Bowls with the Bard show. But enough about him and more about tonight's real star: Chaz the Blue Puppet, making his Metro Denver theatre debut as Macduff, Thane of Fife. His credits include the original 2003 off-Broadway production of Avenue Q, the Boise Repertory Theatre's 2009 productions of Avenue Q and Long Day's Journey Into Night, and the prestigious Montpelier Gluten-Free Dinner Theatre's regrettably sparsely attended March 2020 production of Avenue Q. He would like to extend his deepest thanks to his wife and all his children for their endless love and support, and.... Wait, what? What happened? All my pretty ones?

Adrianna DelPercio (She / Her)

Hecate, Porter, & Swing covering Witches 2 & 3, Duncan, Macduff, a Murderer, the Doctor, Lady Macbeth, Lady Macduff, & Macbeth

Adrianna is very excited to make her Bowls with the Bard debut in Macbeth. She is from Myrtle Beach, South Carolina and has just completed her first year in beautiful Colorado. Although she was raised in South Carolina she spent 6 years in Oklahoma where she received her BFA in Acting and a minor in Directing from Oklahoma City University. Some recent credits include Little Shop of Horrors (Audrey II), Picnic (Flo Owens), Eurydice (Loud Stone), ALiEN8 (Janet), and Bright Star (Mama Cane). When she is not performing on the stage Adrianna likes to spend her time being creative through painting, writing, or reading whatever new fantasy book has taken her attention that week. Adrianna would like to thank her family, friends, her cat Hamilton, and her wonderful boyfriend John for always supporting her.

Dionne (They / Them)

Lady Macbeth, Lady Macduff, & Witch 3


By the pricking of our thumbs and the smoking of our bowls... something wicked this way comes! Dionne is a professional Funny Face Maker extraordinaire on and off stage terrorizing and tantalizing under the moniker LadyLord. You may also recognize them as the malicious Malvolio\Cunty Captain\Odd Officer\High Priest from BwtB's 12th Night!! Dionne is so bloody excited to perform alongside such a heinous and hilarious cast of characters Bowls with the Bard has summoned for a spectacular show!!! 

Leandra Fischman (She / Her)

Macbeth

Leandra is an actor based in the Denver area. She is so grateful to be working with Bowls with the Bard again; this being her third show with the company! She loves performing Shakespeare and is particularly excited about this production!





Natalie M. Fuentes (She / They)

Hecate, The Porter, & Swing covering Ross, Fleance, the Captain, a Gentlewoman, & More


Natalie is a Denver based actor. This is their first production with Bowls with the Bard.

Sophia Gulley (She / Her)

Ross, Fleance, the Captain,

& a Gentlewoman

Sophia Gulley is an actress and visual artist from Nashville, TN. She has been acting since 2023 and has trained at the Denver Center for Performing Arts and Visionbox Studio. She was also a participant in the 2024 Clown Trentino residency in Trentino, Italy. 

Kyle Lawrence (He / Him)

Banquo, Seyton, & Seward

Kyle J Lawrence is a Denver based actor, teaching artist and musician. He is thrilled to be returning to Bowls with the Bard, having previously been seen as a Swing in As You Like It. Other recent credits include The Tempest, Richard II, King Lear, Much Ado About Nothing (Colorado Shakespeare Festival), Charlotte’s Web (Denver Children’s Theatre), and The Inheritance (Vintage Theatre)

Stephanie Saltis (She / Her)

Witch 1, Malcolm, Lennox,

& Macduff's Son

Stephanie Saltis is excited to make her debut with Bowls with the Bard. Other credits include the Sala Project as Alma (Theatre Artibus) Shakespeare in the Parking Lot as Juliet, Hermia, Puck and Quince (DCPA), Local Lab 12 & 14 (Local Theatre Company) Tomas and the Library Lady as Josefa/Enrique (Denver Children’s Theatre), None of the Above as Jamie (Bailey Theatre Company), Charlotte’s Web as Goose (U/S Wilbur – performed) and Belmira in The River Bride (Arvada Center), Countess Andrenyi in Murder on the Orient Express, Georgia in Blackademics (Vintage Theatre), Cecily in The Importance of Being Earnest (Breckenridge Backstage/BETC/Clover and Bee), as well as the CSF Education Tour and roles in A Midsummer Night’s Dream, The Odyssey, and Pericles at the Colorado Shakespeare Festival. She holds a BFA in Acting.

Meet

The Production Team

Jacob John Noon (He / They)

Director


Jacob is a Colorado-based fight and intimacy director and is an alumnus of the University of Northern Colorado. His work has been seen at Colorado Springs Fine Arts Center, Phamaly Theatre Company, The Venue Theatre, and the University of Northern Colorado, among others. He works to support performances across the front range while enabling further education and access to the performing arts. Jacob is a certified Intermediate Actor Combatant and serves as Rocky Mountain Regional Representative to the Society of American Fight Directors.

Victor Longman (He / They)

Assistant Director

Victor Longman's latest theatrical appearances include co-writing and performing in Mouse City Podcast, an original one-act comedy for the 2025 Denver Fringe Festival, performing as a game host inspired by the Scotty Dog token for the Denver run of Monopoly Lifesized with DCPA Off-Center, working on team Elizabeth Kirchmeier for the inaugural Denver Immersive Invitational, as a storyteller at the Denver Botanic Gardens for Ghosts in the Gardens, and as a creator and performer with Band of Toughs in Gin and Gothic: A Bronte Rocktale. This production of Macbeth has been a lovely return to the realm of Shakespeare, and he is grateful to everyone involved for making this a fabulous experience! He is soon to embark on his next adventure in France, attending the Professional Course at L'École Internationale de Théâtre Jacques Lecoq in October.










Freida Dunkelberg (They / Them)

Stage Manager

Frieda Dunkelberg is a lifelong theatre maker and enjoyer. Originally hailing from Dallas, they have called Denver home since 2019. Since coming to Denver, they've stage managed several shows, including Ja-Ne's "Zotto: An Immersive Folktale". While Frieda's main focus is directing, they can be found participating in every role that lends itself to the stage. 

Micaela Mannix & Jonathan Miot

Artistic Director & Production Manager

Micaela Mannix (she/her) is an actor, content creator, and Shakespeare lover from Draper, Utah. She is the face of 10kshakespeare on instagram and TikTok where she is working towards 10,000 hours of Shakespeare practice. Micaela is the founder and host of Bowls with the Bard. Acting credits include: A Midsummer Night's Dream, Julius Caesar, The Tempest, Othello (BSF); Macbeth, King Lear (Commonwealth Shakespeare); Henry V, Pirate Macbeth (Cohesion Theatre Company); Loves Labors Lost (Chesapeake Shakespeare); Twelfth Night (Three Leaches); Antony and Cleopatra (Brave Spirits Theatre). Micaela holds a BM in Musical Theatre from The Catholic University. Learn more at micaelamannix.com.

Jonathan Miot (he/him) is less than a year into his Denver theater journey and is already enamored with what this incredibly diverse and welcoming community has to offer. Thank you for coming and enjoy this fresh new experience!


Sam Ashe (He / Him)

Musician / Music Producer

Sam Ashe is a Denver based musician and producer and is very excited to be a part of Bowls with the Bard’s production of Twelfth Night. This is his first foray into composition for theatre. To check out more of his work find him on social media @samashe.irl







Katy Williams (She / Her) 

Master Puppeteer

Katy Williams is a Colorado based puppeteer, fabricator, producer, and director. Katy loves all puppetry, specializing in creatures, suitcase crankies, and front facing shadow puppetry. Her mission is to accessibly spread the joy of puppetry in the Rocky Mountains, and she has been influential in implementing the art form in recent Colorado theatre.  Katy is responsible for starting the Rocky Mountain Puppet Slam in 2018, producing three slams a year. She also created the children's festival, Puppet Palooza. In 2019 she received the prestigious True West award for her work. She was a featured instructor and performer at the National Puppetry Festival 2019 and 2023, served on the board of Puppeteers of America as the Treasurer, and is the President of the Rocky Mountain Puppetry Guild. 

Most recently she designed puppets for “The Little Prince”, “Blue Silk”, “James and the Giant Peach”, and “Don’t Let the Pigeon Drive the Bus” where she also played the title role of “The Pigeon”. 

See more of Katy’s work at www.katywilliamsdesign.com.


Plot Summary by the Folger Shakespeare Library

Macbeth, set primarily in Scotland, mixes witchcraft, prophecy, and murder. Three “Weïrd Sisters” appear to Macbeth and his comrade Banquo after a battle and prophesy that Macbeth will be king and that the descendants of Banquo will also reign. When Macbeth arrives at his castle, he and Lady Macbeth plot to assassinate King Duncan, soon to be their guest, so that Macbeth can become king.


After Macbeth murders Duncan, the king’s two sons flee, and Macbeth is crowned. Fearing that Banquo’s descendants will, according to the Weïrd Sisters’ predictions, take over the kingdom, Macbeth has Banquo killed. At a royal banquet that evening, Macbeth sees Banquo’s ghost appear covered in blood. Macbeth determines to consult the Weïrd Sisters again. They comfort him with ambiguous promises.


Another nobleman, Macduff, rides to England to join Duncan’s older son, Malcolm. Macbeth has Macduff’s wife and children murdered. Malcolm and Macduff lead an army against Macbeth, as Lady Macbeth goes mad and commits suicide.


Macbeth confronts Malcolm’s army, trusting in the Weïrd Sisters’ comforting promises. He learns that the promises are tricks, but continues to fight. Macduff kills Macbeth and Malcolm becomes Scotland’s king.


Special Thanks

to B. Ryan Glick for accessibility consultation

to the Coffee Joint for our performance space

to Nicholas Setty for legal counsel

to Daniel and Carolyn Mannix for considerable contributions

to Lizzy Colandene for our Graphic Design



Land and Labor Acknowledgements

Bowls with the Bard acknowledges that by performing in Denver, we are performing on the land of the Apache, Comanche, Cheyenne, Ute, and Arapaho Tribes. We also recognize that statements like these are merely words without action. We encourage our patrons to make donations to the organizations at the links below:


Native American Rights Fund: https://secure.narf.org/page/64457/donate/1?locale=en-US


First Nations Development Institute: https://www.firstnations.org/fndi_donate/


We acknowledge our debt to the enslaved people, primarily of African descent, whose labor and suffering built and grew the economy and infrastructure of a nation that refused to recognize their humanity. We encourage our patrons to make donations to the following organizations:


Black Lives Matter 5280: https://www.coloradogives.org/donate/Blm5280


YouthSeen Colorado: https://youthseen.app.neoncrm.com/forms/2022-individual-donors